Tuesday, November 9, 2010

Entrée at BGO1



Michael Johansson, "27m3", 3x3x3m, site specific installation, 2010. Entrée at BGO1, Bergen Art Museum.
Photo: Vilde Andrea Brun.
 

These days, at Bergen Art Museum, there is a cube put together from stuff that has been collected at different artists' studios. It is the work of Michael Johansson, who has done similar sculptures in many other venues.



Michael Johansson, "27m3", 3x3x3m, site specific installation, 2010. Entrée at BGO1, Bergen Art Museum.
Photo: michaeljohansson.com


The dimensions of this cube fit very well into the room in which it is exhibited, - in such a way that it activates the space around itself, and seems to be of perfect size. Since the walls and the space around the sculpture are (almost) empty, it is as if lots of stuff that has been lying around, somehow magically imploded into a perfect cube...

And by transforming into art transportation boxes, monitors, file drawers, and light bulb packs etc., this sculpture pays homage to the tedious everyday studio effort that has been carried out to produce all the other works that are exhibited in the same collective show, - while also directing our attention behind the scenes of the art museum.

When I first saw this sculpture, I enjoyed its formal aspects very much: The composition of colors, shapes, and different sized objects. Does anybody else come to think of a Mondrian painting?



Gabriel Johann Kvendseth, "First we take Manhatta, Bow & Arrows", 2010. Entrée at BGO1, Bergen Art Museum.
Photo: Vilde Andrea Brun.


Then, quietly, in the corner of the room, these three arrows have been shot into the wall. Well, one is broken, and the back part of it lies on the floor. This subtle and delicate work by Gabriel Johann Kvendseth goes well together with the big and loud colored cubical sculpture. Sometimes a quiet whisper becomes more audible than high-pitched insistence...

(This one room in the exhibition BGO1 at Bergen Art Museum has been curated by Entrée)

1 comment:

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